Megan McDuffee
Megan McDuffee is a multi-award winning video game composer, music producer, and electropop recording artist with a dark and sparkly vibe. Recently, Megan secured two award wins from the Annual Game Music Awards for her catchy original soundtrack for River City Girls, was featured on the front page of Bandcamp, received a nomination for a Music+Sound Award, and her debut full-length vocal release "Inner Demons" has held the number one electropop album spot on Bandcamp in the three weeks since its release.
Megan draws inspiration from a wide range of influences, including Depeche Mode, Massive Attack, IAMX, and 80’s film scores. Through swirling, dark, electronic textures, impeccable production, and vocals dripping with honey, she has made a name for herself in the video game, film, and music industries. Her impressive client list ranges from Position Music to Paramount Pictures, and she composes, produces, sings, records, and mixes all of her own work.
You can hear Megan's music featured in film trailers like The Predator, Annihilation, shows like Dancing with the Stars, the F Word, Chicago Fire, and many more. Her ethereal vocals and haunting melodic lines have landed Megan co-writes and collaborations with more than 40 other artists such as Scandroid (Klayton), Emmy-winning James Dooley, and Mitch Murder. She is currently working on 4 game scores, one of which is River City Girls 2, a chillwave instrumental album, and several vocal collaborations.
Megan McDuffee and FabFilter
Fabfilter was just one of those company names that kept popping up in production videos on Youtube, so I decided to take a peek many years ago. I'm so glad I did! Especially Saturn 2, Pro-C 2, Pro-L 2, and Pro-Q 3 have been absolute staples of my production process since I discovered them.
Most recently, I used Saturn all over my score to the game River City Girls as well as my debut album Inner Demons. I absolutely love the grit and crunch Saturn's guitar saturation presets give to retro synths! That's probably my favorite way to use it. Also adding that extra edge to a lead or backing vocal *chef's kiss.* Pro-C is awesome for subtle or deliberate side-chaining (it's my go-to for pumping bass lines), and a nice polish for the voiceover work I do as well.
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Artist overview
- Alawn
- Armin van Buuren
- Bil VornDick
- BINKBEATS
- Bjorn Akesson
- Bob Power
- Callum Connor
- Caveman
- Celldweller
- Charlie Crown
- Chocolate Puma
- Chris Lake
- Cinthie
- D. James Goodwin
- Damien Lewis
- Dana Nielsen
- Daniel Davies
- Daniel Shores
- Dave Pensado
- Delta Spirit
- Dem Jointz
- DI-RECT
- Dimitri Vegas & Like Mike
- Elkka
- Erik 'Blu2th' Griggs
- Extrawelt
- Fabian Marasciullo
- Ferry Corsten
- Francesco Cameli
- Gary Miller
- Gethin Pearson
- Glenn Schick
- Glisz
- Greg Wells
- Greg Wurth
- Groove Armada
- Hardwell
- Howie Weinberg
- Ian Dowling
- J Devil
- Jacqueline Govaert
- James Hannigan
- Jamie Lidell
- Jan 'Stan' Kybert
- Jason Graves
- Jason Miles
- Jeff Ellis
- Joe Barresi
- Joe West
- Joel Little
- John Hill
- Joost van den Broek
- Joseph Renzetti
- Julia Borelli
- Justin Stanley
- Kevin Killen
- Kevin Madigan
- Khaliq Glover
- Koen Heldens
- Local Natives
- Manny Marroquin
- Marc Carolan
- Matt Lawrence
- Matt Schaeffer
- Matthew Burnett
- Megan McDuffee
- Michael Graves
- Mike Cave
- Miles Walker
- Modeselektor
- Mogwai
- Morgan Page
- Mucky
- múm
- Neal Avron
- Neal H Pogue
- Neil Dorfsman
- Noah Georgeson
- Noisia
- Olav Basoski
- Omar Hakim
- Paula Tape
- Pedro Viñuela Romero
- Recoil
- Remy.
- Ricardo Sangiao
- Robbie Nelson
- Robert L. Smith
- Robert Venable
- Robin Finck
- Roni Size
- Sacha Skarbek
- Santaflow
- Scott Chesak
- Scott Jacoby
- Sean P. Jones
- Simon Climie
- Stan Greene
- Stefano Lentini
- Sterling Winfield
- The Black Keys
- The Glitch Mob
- The National
- The Wildcardz
- Tom Elmhirst
- Tom Lord-Alge
- Tony Maserati
- UNIFONY
- Weval
- X:144